The Major Periods

1962 – 1965: Early Pop Paintings

As one of the original wave of Pop artists Gerald Laing produced some of the most significant works of the British Pop movement. His paintings reproduced images of popular heroes such as starlets, film stars, drag racers, astronauts and skydivers. His 1962 portrait of Brigitte Bardot is an iconic work of the period and regularly features in major Pop retrospectives alongside Lincoln Convertible from 1964, a commemoration of the assassination of JFK.

View all Early Pop Paintings


1965 – 1970: Utopian Abstract Sculpture

From 1965 Gerald Laing's painting evolved into abstract sculptures using the techniques and materials of car customisation - lacquering, spray-painting and chrome-plating on metal.

View all Utopian Abstract Sculpture


1970 – 1973: Sculpture In The Landscape

A move from New York to the Highlands of Scotland in 1970 saw Gerald Laing's sculpture respond to the beauty, roughness and power of the surrounding landscape.

View all Sculpture In The Landscape


1972 – 2010: Public Sculpture

Public sculptures include the the Bank Station Dragons; the Rugby Sculptures at Twickenham Stadium; the Cricketer at Lords; the Highland Clearances Memorial in Helmsdale, Sutherland and Axis Mundi in Edinburgh.

View all Public Sculpture


1973 – 1980: Galina Series

Inspired by the figurative sculpture of the First World War Artillery Memorial at Hyde Park Corner, in 1973 Gerald Laing began to model in clay and cast in bronze. The Galina Series and associated sculptures were his first works from this period.

View all Galina Series


1982 – 2007: Portrait Heads

Gerald Laing's portrait work includes heads and reliefs of Luciano Pavarotti, Andy Warhol, Paul Getty and Sam Wanamaker.

View all Portrait Heads


2002 – 2005: War Paintings

The Iraq war and the publication of images of torture at Abu Ghraib prison drew Gerald Laing back to painting for the first time in over three decades. The War Paintings series sees the starlets and all-American heroes of his early paintings take on new, more sinister roles.

View all War Paintings


2004 – 2011: New Paintings

Returning to the style and subject matter of his early pop art paintings, Gerald Laing's latest paintings feature media images of contemporary celebrities including Amy Winehouse and Kate Moss.

View all New Paintings


Search the Catalogue



+

Boxed White Tunnels

CR 186

1967 · London

No media information

More about this work >
+

Flame Yellow

CR 187

1967 · London

No media information

More about this work >
+

Yellow Props

CR 188

1967 · London

No media information

More about this work >
+

Boxed Blue Arc

CR 189

1967 · London

No media information

More about this work >
+

Boxed Trace

CR 190

1967 · London

No media information

More about this work >
noimage

Boxed Pink

CR 191

1967 · London

No media information

More about this work >
+

Twin Blue

CR 192

1967 · London

No media information

More about this work >
+

Split

CR 193

1967 · London

No media information

More about this work >
noimage

Blue Drop

CR 194

1967 · London

No media information

More about this work >
+

Orange Free Fall

CR 195

1967 · London

Mixed media · Height 72

More about this work >
+

Small Arc (multiple)

CR 196

1967 · London

Lacquered aluminium attached to chrome supports, polished marble base · Unknown (2 editions of 10 each)

More about this work >
+

Orange Trace

CR 198

1967 · New York

Lacquered aluminium and chrome on brass, formica-veneered plywood boxes · 49 x 73

More about this work >
noimage

Sequel to Wedding Jump

CR 199

1967 · London

Lacquered aluminium and chrome on brass, formica-veneered plywood boxes · 26.5 x 38.5

More about this work >
+

White Tunnels in the Distance

CR 200

1967 · New York

Lacquered aluminium and chromed brass, formica-veneered plywood boxes · 49 x 70

More about this work >
+

Follow Me

CR 201

1967 · London / New York

Lacquered aluminium and chrome on brass, formica-veneered plywood boxes, 3 parts · 24 x 33.5 x 11.5; 24 x 44; 24 x 33.5 x 11.5unit 1: 68 x 25 x 29; unit 2: 61 x 112; unit 3: 61 x 85 x 29 cm ·

More about this work >
+

Red Axes

CR 202

1967 · New York

Lacquered aluminium and chrome on brass, formica-veneered plywood boxes · 49 x 68

More about this work >
+

Pink Axes

CR 203

1967 · New York

Lacquered aluminium and chrome on brass, formica-veneered plywood boxes · 29 x 40.5

More about this work >
+

Banners for La Beale Isoude

CR 204

1967 · New York

Lacquered aluminium and chrome on brass, formica-veneered plywood boxes

More about this work >
+

Little White Tunnels

CR 205

1967 · New York

Lacquered aluminium and chrome on brass, formica-veneered plywood boxes · 9 x 12

More about this work >
+

Little Banners

CR 206

1967 · New York

Lacquered aluminium and chrome on brass, formica-veneered plywood boxes · 11.75 x 15.75

More about this work >
noimage

Pins Against Hills

CR 207

1967 · New York

Lacquered aluminium and chrome on brass, formica-veneered plywood boxes · 22 x 37

More about this work >
+

Large Arch Screen

CR 208

1967 · New York

Lacquered aluminium and chrome on brass, formica-veneered plywood boxes · 49 x 65

More about this work >