Badge - Brooch

1969

London

Chrome on brass with inset sections of variously coloured champlevé enamel, pin fastening verso (Edition of 25)

2.5x2.5inches/6x6cm

Souvenir (of the Cuban Missile Crisis Oct 16–28 1962)

Artists CR 0

16–28 October 1962

Saint Martin's School of Art, London

Oil on wood and oil on canvas laid over board, in the artist’s painted frame

25x15inches/64x38cm

Collection: Private collection

Provenance: Collection of Gerald Laing., 1962 - 1975; (Frasers Auction Room, Bailechaul Road, Dingwall, Dingwall) Private Collection, c. 1975;Collection of Iain Marr., c. 1975 -;Private collection, - 2014; (Christie’s King Street, London) Private Collection, 25 June 2014;.

Exhibitions: Gerald Laing: Exhibition of Paintings and Drawings, Laing Art Gallery, Newcastle upon Tyne, 1963; The Sixties Art Scene in London, Barbican Art Gallery, London, 1993; From the Bomb to the Beatles - Britain 1945–1965, Imperial War Museum, London, 1999–2000; This Was Tomorrow: Pop Art in Great Britain, Kunstmuseum Wolfsburg, , 2016–7

Literature: Gerald Laing: A Retrospective 1963–1993, 1993; Gerald Laing: New Paintings for Modern Times, 2008; Gerald Laing: From 1963 to the Present, 2004; David Mellor, The Sixties Art Scene in London, 1993, p.34; Catherine Jolivette (ed.), British Art in the Nuclear Age, 2014, p.224; Gerald Laing, Aspen Notebook, 1966; Modern British and Irish Art Evening Sale, 2014, p.12-15, 122-125; Gerald Laing: Exhibition of Paintings and Drawings, 1963, p.[3]; John J. Curley, Global Art and the Cold War, 2019.

Lolita Through the Keyhole

Artists CR 001

1962

Saint Martin's School of Art, London

Oil on canvas

48x42inches/122x107cm

Exhibitions: Gerald Laing: Exhibition of Paintings and Drawings, Laing Art Gallery, Newcastle upon Tyne, 1963; Paintings of Photographs/Photographs of Paintings, Saint Martin’s School of Art, London, 1963

Literature: Gerald Laing, Aspen Notebook, 1966; Gerald Laing: Exhibition of Paintings and Drawings, 1963, p.[3].

Cléo from 5 to 7

Artists CR 002

1962

London

Oil on canvas

48x25inches/122x64cm

Collection: Artist's estate

Provenance: .

Exhibitions: Gerald Laing: Exhibition of Paintings and Drawings, Laing Art Gallery, Newcastle upon Tyne, 1963; Young Contemporaries 63, RBA Galleries, London, 1963; Paintings of Photographs/Photographs of Paintings, Saint Martin’s School of Art, London, 1963; When Britain Went Pop. British Pop Art: The Early Years, Christie’s King Street, London, 2013; Gerald Laing 1936–2011: A Retrospective, The Fine Art Society, London, 2016

Literature: Space, Speed, Sex: Works from the early 1960s by Gerald Laing, 2006; David Mellor, The Sixties Art Scene in London, 1993, p.34; Marco Livingstone and Amanda Lo Iacono, When Britain Went Pop. British Pop Art: The Early Years, 2013; Gerald Laing, Aspen Notebook, 1966; Gerald Laing: Exhibition of Paintings and Drawings, 1963, p.[3]; Gerald Laing 1936–2011: A Retrospective, 2016.

Bedroom BB

Artists CR 003

1962

Saint Martin's School of Art, London

Oil on canvas

33x41inches/84x104cm

Exhibitions: Gerald Laing: Exhibition of Paintings and Drawings, Laing Art Gallery, Newcastle upon Tyne, 1963; Paintings of Photographs/Photographs of Paintings, Saint Martin’s School of Art, London, 1963

Literature: Gerald Laing: Exhibition of Paintings and Drawings, 1963, p.[3].

Roger & Annette Take Coffee

Artists CR 004

1962

Saint Martin's School of Art, London

Oil on canvases joined by aluminium

26x32inches/66x81cm

Exhibitions: Gerald Laing: Exhibition of Paintings and Drawings, Laing Art Gallery, Newcastle upon Tyne, 1963; Young Contemporaries 63, RBA Galleries, London, 1963; Paintings of Photographs/Photographs of Paintings, Saint Martin’s School of Art, London, 1963

Literature: David Mellor, The Sixties Art Scene in London, 1993, p.34; Gerald Laing: Exhibition of Paintings and Drawings, 1963, p.[3].

Brigitte Bardot

Artists CR 005

1963

Saint Martin's School of Art, London

Oil on canvas

72x45inches/183x114cm

Collection: Private collection

Provenance: Collection of R. Maude-Roxby., 1963–2014; (Christie’s King Street, London) Private Collection, 13 February 2014;.

Exhibitions: Young Contemporaries 63, RBA Galleries, London, 1963; Paintings of Photographs/Photographs of Paintings, Saint Martin’s School of Art, London, 1963; 1971: Gerald Laing, Scottish National Gallery of Modern Art, Edinburgh, 1971; Gerald Laing: A Retrospective 1963–1993, The Fruitmarket Gallery, Edinburgh, 1993; The Sixties Art Scene in London, Barbican Art Gallery, London, 1993; Pop 60s: Travessia Transatlântica/Transatlantic Crossing, Centro Cultural de Belém, Lisbon, 1997; Les Sixties: Great Britain and France 1962–1973, Brighton Museum and Art Gallery, Brighton, 1997; Gerald Laing: Sculpture 1968–1999, The Fine Art Society, London, 1999; Global Village: The 60s (Village Global: Les Annees 60), Montreal Museum of Fine Arts, Montreal, 2003–4; British Pop, Museo de Bellas Artes de Bilbao, Bilbao, 2005–6; Space, Speed, Sex: Works from the early 1960s by Gerald Laing, Hazlitt Holland-Hibbert, London, 2006; Pop Art! 1956–1968, Scuderie del Quirinale, Rome, 2007–8; When Britain Went Pop. British Pop Art: The Early Years, Christie’s King Street, London, 2013; The New Situation: Art in London in the Sixties, Sotheby’s, London, 2013

Literature: Space, Speed, Sex: Works from the early 1960s by Gerald Laing, 2006; Gerald Laing, Gerald Laing: An Autobiography, 2011; Gerald Laing: A Retrospective 1963–1993, 1993; Gerald Laing: New Paintings for Modern Times, 2008; David Mellor, The Sixties Art Scene in London, 1993, p.34; John A. Walker, Art and Celebrity, 2002, p.96–7; David Mellor, Laurent Gervereau and others (eds.), The Sixties: Britain and France, 1962–1973: The Utopian Years, 1997, pp.6, 274; Marco Livingstone and Amanda Lo Iacono, When Britain Went Pop. British Pop Art: The Early Years, 2013; Gerald Laing and Alasdair Hamilton, 1971: Gerald Laing, 1971; Gerald Laing, Aspen Notebook, 1966; David Brauer, Jim Edwards, Christopher Finch, Walter Hopps, Pop Art: U.S./U.K. Connections, 1956–1966, 2001, pp.29, 33, 37, 40, 64, 72–3, 82–3, 128, 162–3, 182, 190–1, 239–41, 243–5, 247; Julia Bigham, Pop Art Book, 2007, pp. 29, 30,110–2, 174; Ian Carr, Gerald Laing, , Newcastle Life, 1963; Samantha Ellis, Top of the Pops, , Evening Standard, 2000, p.64; Iain Gale, The Great Survivor, , Caledonia, 2002, pp.38-40; Keith Bruce, All Fired Up Again, , Herald, 2004; Jeremy Watson, ‘Immoral’ War Inspires Art Legend, , Scotland on Sunday, 2004; Aspects of British Abstract Art (1959–1966), , Sur La Terre, 2005; Laura Gascoigne, [untitled], , Spectator, 2008; Marco Livingstone, British Pop, 2005, pp.220–30, 343-5; Walter Guadagnini, Pop Art 1956–1968, 2007; Gerald Laing, Apostasy, , Northern Review, 1998; Post-War and Contemporary Art Evening Auction, 2014, p.142-147; Gerald Laing 1936–2011: A Retrospective, 2016.

Anna Karina

Artists CR 006

1963

Saint Martin's School of Art, London

Oil on canvas

144x84inches/366x213cm

Collection: Artist's estate

Provenance: .

Exhibitions: Gerald Laing: Exhibition of Paintings and Drawings, Laing Art Gallery, Newcastle upon Tyne, 1963; Paintings of Photographs/Photographs of Paintings, Saint Martin’s School of Art, London, 1963; Gerald Laing: Paintings and Sculpture 1963–1983, Herbert Art Gallery & Museum, Coventry, 1983; Gerald Laing: A Retrospective 1963–1993, The Fruitmarket Gallery, Edinburgh, 1993; Les Sixties: Great Britain and France 1962–1973, Brighton Museum and Art Gallery, Brighton, 1997; Gerald Laing: From 1963 to the Present, Bourne Fine Art, Edinburgh, 2004; Pop Art UK: British Pop Art 1956–1972, Galleria Civica di Modena, , 2004; Gerald Laing 1936–2011: A Retrospective, The Fine Art Society, London, 2016; This Was Tomorrow: Pop Art in Great Britain, Kunstmuseum Wolfsburg, , 2016–7

Literature: Space, Speed, Sex: Works from the early 1960s by Gerald Laing, 2006; Lindsey Ingram and Rupert Halliwell (eds.), Gerald Laing Prints and Multiples: A Catalogue Raisonné, 2006; Gerald Laing: A Retrospective 1963–1993, 1993; David Mellor, The Sixties Art Scene in London, 1993, p.34; Gerald Laing: Paintings & Sculpture 1963–1983, 1983; Gerald Laing and Alasdair Hamilton, 1971: Gerald Laing, 1971; Gerald Laing, Aspen Notebook, 1966; David Brauer, Jim Edwards, Christopher Finch, Walter Hopps, Pop Art: U.S./U.K. Connections, 1956–1966, 2001, pp.29, 33, 37, 40, 64, 72–3, 82–3, 128, 162–3, 182, 190–1, 239–41, 243–5, 247; Ian Carr, Gerald Laing, , Newcastle Life, 1963; Clare Henry, Fruitful Transformation, , Herald, 1993; Marco Livingstone and Walter Guadagnini, Pop Art UK: British Pop Art 1956–1972, 2004; Marco Livingstone, British Pop, 2005, pp.220–30, 343-5; Marco Livingstone, Pop Art: A Continuing History, 1990, pp. 176-177, pl. 253; Gerald Laing: Exhibition of Paintings and Drawings, 1963, p.[3]; Gerald Laing 1936–2011: A Retrospective, 2016; Gerald Laing: Sculpture 1965–1978, 2008.

Three Incidents from the Shock Film of the Year

Artists CR 007

1963

London (St. Martins)

Oil on canvas

68.5x54inches/174x137cm, Three panels

Collection: Private collection

Provenance: (Gerald Laing).

Exhibitions: Gerald Laing: Exhibition of Paintings and Drawings, Laing Art Gallery, Newcastle upon Tyne, 1963; Paintings of Photographs/Photographs of Paintings, Saint Martin’s School of Art, London, 1963

Navy Pilot

Artists CR 008

1963

New York City

Oil on canvas

36x30inches/91x76cm

Private Collection, UK

Provenance: Private collection, New York;.

Exhibitions: Space, Speed, Sex: Works from the early 1960s by Gerald Laing, Hazlitt Holland-Hibbert, London, 2006

Literature: Space, Speed, Sex: Works from the early 1960s by Gerald Laing, 2006; Gerald Laing, Aspen Notebook, 1966.

Dragster I

Artists CR 009

1963

New York City

Oil on canvas

60x50inches/152x127cm

Collection: Private collection

Provenance: Private collection, -1965;Collection of Richard L. Feigen & Co., New York., 1965;Collection of John and Kimiko Powers., 1965-1979;Collection of Academy for Educational Development, Washington D.C.., 1979-2011; (Shannon’s, Woodmount Road, Milford, Connecticut, Milford) Private Collection, 28 April 2011;.

Exhibitions: Selections from the John G. Powers Collection, The Aldrich Contemporary Art Museum, Ridgefield, 1966

Literature: Gerald Laing, Gerald Laing: An Autobiography, 2011; Gerald Laing, Aspen Notebook, 1966.

Starlet I

Artists CR 010

1963

New York City

Oil on canvas

50x20inches/127x51cm

Collection: Private collection

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, -1964;Collection of Julian Levy., 1964-2004; (Tajan Auctioneers, Rue des Mathurins, Paris, Paris) Private Collection, 5 October 2004;.

Exhibitions: New Images, Richard Feigen Gallery, New York, NY, 1964; British Pop, Museo de Bellas Artes de Bilbao, Bilbao, 2005–6; Source and Stimulus: Polke, Lichtenstein, Laing, Lévy Gorvy, London, London, 2018

Literature: Gerald Laing, Aspen Notebook, 1966; Marco Livingstone, British Pop, 2005, pp.220–30, 343-5; Tribute to Julien Levy, 5, 6, 7 October 2004, 2004, pp.124–5.

Starlet II

Artists CR 011

1963

New York

Oil on canvas

50x20inches/127x51cm

Collection: Private collection

Provenance: (The Fine Art Society, London) Private Collection;.

Exhibitions: First International Girlie Show, Pace Gallery, New York, 1964; Space, Speed, Sex: Works from the early 1960s by Gerald Laing, Hazlitt Holland-Hibbert, London, 2006; Source and Stimulus: Polke, Lichtenstein, Laing, Lévy Gorvy, London, London, 2018

Literature: Space, Speed, Sex: Works from the early 1960s by Gerald Laing, 2006; Gerald Laing, Aspen Notebook, 1966.

Starlet 1a (Head)

Artists CR 012

1963

New York

Oil on canvas

20x16inches/51x41cm

Collection: Private collection

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection;.

Exhibitions: Space, Speed, Sex: Works from the early 1960s by Gerald Laing, Hazlitt Holland-Hibbert, London, 2006; When Britain Went Pop. British Pop Art: The Early Years, Christie’s King Street, London, 2013

Literature: Space, Speed, Sex: Works from the early 1960s by Gerald Laing, 2006; Marco Livingstone and Amanda Lo Iacono, When Britain Went Pop. British Pop Art: The Early Years, 2013.

Head

Artists CR 013

1963

New York City

Oil on canvas

18x14inches/46x36cm

Destroyed by artist

Provenance: .

Ursula of Coenties Slip

Artists CR 014

1963

New York City

Oil on canvas

60x50inches/152x127cm

Destroyed by artist

Provenance: .

Literature: Gerald Laing, Aspen Notebook, 1966.

Skydiver II

Artists CR 015

1963

New York

Oil on canvas

70x60inches/178x152cm

Private Collection, Italy

Provenance: Collection of Richard Feigen Gallery, New York, NY., -1974; (Sotheby’s, London) Private Collection, 4 December 1974;.

Literature: Gerald Laing, Aspen Notebook, 1966.

Skydiver I

Artists CR 016

1963

New York City

Oil on canvas

36x40inches/91x102cm

Destroyed by artist

Provenance: .

Four Events in the Experience of an Astronaut

Artists CR 017

1963

New York

Oil on canvas

48x40inches/122x102cm

Provenance: .

Exhibitions: Artist Collects, Richard Feigen Gallery, New York, NY, 1964; 1971: Gerald Laing, Scottish National Gallery of Modern Art, Edinburgh, 1971

Literature: Gerald Laing, Gerald Laing: An Autobiography, 2011; Gerald Laing: A Retrospective 1963–1993, 1993; Gerald Laing and Alasdair Hamilton, 1971: Gerald Laing, 1971; Gerald Laing, Aspen Notebook, 1966.

Portrait of Robert Indiana

Artists CR 018

1963

New York City

Oil on canvas

24x16inches/61x41cm

Provenance: .

Countdown

Artists CR 019

1963

London (St. Martins)

Oil on canvas

20x12inches/51x30cm

Provenance: .

Welcome Back to Earth

Artists CR 020

1963

London

Acrylic and oil on canvas, in a 'diamond' orientation

60x60inches/152x152cm

Provenance: Private collection, 1964-2006;.

Exhibitions: Gerald Laing, Keith Lingard, David Milne, Saint Martin’s School of Art, London, 1964

G Force

Artists CR 021

1963

London

Oil on canvas

36x56inches/91x142cm

Collection: Private collection

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, 1964;.

Exhibitions: Gerald Laing, Keith Lingard, David Milne, Saint Martin’s School of Art, London, 1964; New Images, Richard Feigen Gallery, New York, NY, 1964; Space, Speed, Sex: Works from the early 1960s by Gerald Laing, Hazlitt Holland-Hibbert, London, 2006

Literature: Space, Speed, Sex: Works from the early 1960s by Gerald Laing, 2006; Lindsey Ingram and Rupert Halliwell (eds.), Gerald Laing Prints and Multiples: A Catalogue Raisonné, 2006; Gerald Laing and Alasdair Hamilton, 1971: Gerald Laing, 1971.

Astronaut I

Artists CR 022

1963

London

Oil and silver spray paint on canvas

72x64inches/183x163cm

Wolverhampton Art Gallery

Provenance: (Galerie Iris Clert, Paris) Private Collection, 1963-1964; Private Collection, 1964-2010; (Piasa, Rue du Faubourg Saint-Honoré, Paris, Paris) Private Collection, 20 October 2010;Private collection, 2010-2015;.

Literature: Gerald Laing, Aspen Notebook, 1966.

Astronaut II

Artists CR 023

1963

London

Oil and silver spray paint on canvas

12x10inches/30x25cm

Collection: Artist's estate

Provenance: Private collection, 1995-2007;.

Exhibitions: Paintings of Photographs/Photographs of Paintings, Saint Martin’s School of Art, London, 1963; Space, Speed, Sex: Works from the early 1960s by Gerald Laing, Hazlitt Holland-Hibbert, London, 2006; Source and Stimulus: Polke, Lichtenstein, Laing, Lévy Gorvy, London, London, 2018

Literature: Gerald Laing, Kinkell: The Reconstruction of a Scottish Castle, 1974; Space, Speed, Sex: Works from the early 1960s by Gerald Laing, 2006; Gerald Laing, Aspen Notebook, 1966.

Astronaut III

Artists CR 024

1963

London

Oil on canvas

35x22inches/89x56cm

Collection: Private collection

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection;.

Exhibitions: First Jump Course (One Man Show), Richard Feigen Gallery, New York, NY, 1964; Gerald Laing, Keith Lingard, David Milne, Saint Martin’s School of Art, London, 1964; Gerald Laing: Paintings, Drawings, Constructions, Prints, Richard Feigen Gallery, Chicago, IL, 1965

Literature: Gerald Laing, Aspen Notebook, 1966.

Lotus I

Artists CR 025

1963

New York

Oil on canvas

45x56inches/114x142cm

Collection: Private collection

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, 1964; Private Collection, 1964-1973; (Pierre-Marie Rogeon, Rue Milton, Paris, Paris) Private Collection, 6 April 1973;.

Exhibitions: Young Contemporaries 1964, RBA Galleries, London, 1964; Stars for Freedom, Feigen-Palmer Gallery, Los Angeles, 1964; Gerald Laing, Keith Lingard, David Milne, Saint Martin’s School of Art, London, 1964; The New Generation, 1964, Whitechapel Gallery, London, 1964 (and touring)

Literature: Udo Kultermann, The New Painting, 1977, pp.24, 48; Lucy R. Lippard, Pop Art, 1966, pp.63–4.

Dragster II

Artists CR 026

1963

London (St. Martins)

Oil on canvas

40x60inches/102x152cm

Destroyed by artist

Provenance: .

Exhibitions: Gerald Laing, Keith Lingard, David Milne, Saint Martin’s School of Art, London, 1964

Astronaut IV

Artists CR 027

1963

London

Oil on irregular, shaped canvas

57x42inches/145x107cm

Provenance: Private collection, New York;.

Exhibitions: Gerald Laing, Keith Lingard, David Milne, Saint Martin’s School of Art, London, 1964; Gerald Laing: Paintings, Drawings, Constructions, Prints, Richard Feigen Gallery, Chicago, IL, 1965; Pop Art: U.S./U.K. Connections, 1956–1966, The Menil Collection, Houston, 2001; Pop Art Portraits, National Portrait Gallery, London, 2007–8

Literature: David Brauer, Jim Edwards, Christopher Finch, Walter Hopps, Pop Art: U.S./U.K. Connections, 1956–1966, 2001, pp.29, 33, 37, 40, 64, 72–3, 82–3, 128, 162–3, 182, 190–1, 239–41, 243–5, 247; Paul Moorhouse, Pop Art Portraits, 2007.

Dragster III

Artists CR 028

1963

London

Oil on fan shaped canvas

60x120inches/152x305cm

Provenance: .

Exhibitions: Young Contemporaries 1964, RBA Galleries, London, 1964; Gerald Laing, Keith Lingard, David Milne, Saint Martin’s School of Art, London, 1964; The New Generation, 1964, Whitechapel Gallery, London, 1964 (and touring)

Lotus II

Artists CR 029

1963

London

Oil on canvas

25x32inches/64x81cm

Collection: Private collection

Provenance: .

Lincoln Convertible

Artists CR 030

1964

London

Oil on irregular, shaped canvas

73x111inches/185x282cm, irregular

Collection: Artist's estate

Provenance: .

Exhibitions: Young Contemporaries 1964, RBA Galleries, London, 1964; Gerald Laing, Keith Lingard, David Milne, Saint Martin’s School of Art, London, 1964; The New Generation, 1964, Whitechapel Gallery, London, 1964 (and touring); Gerald Laing: A Retrospective 1963–1993, The Fruitmarket Gallery, Edinburgh, 1993; Pop 60s: Travessia Transatlântica/Transatlantic Crossing, Centro Cultural de Belém, Lisbon, 1997; Gerald Laing: From 1963 to the Present, Bourne Fine Art, Edinburgh, 2004; Gerald Laing: Iraq War Paintings, Spike Gallery, New York, 2005; British Pop, Museo de Bellas Artes de Bilbao, Bilbao, 2005–6; Space, Speed, Sex: Works from the early 1960s by Gerald Laing, Hazlitt Holland-Hibbert, London, 2006; Pop Art! 1956–1968, Scuderie del Quirinale, Rome, 2007–8; When Britain Went Pop. British Pop Art: The Early Years, Christie’s King Street, London, 2013; Gerald Laing 1936–2011: A Retrospective, The Fine Art Society, London, 2016; This Was Tomorrow: Pop Art in Great Britain, Kunstmuseum Wolfsburg, , 2016–7; Source and Stimulus: Polke, Lichtenstein, Laing, Lévy Gorvy, London, London, 2018

Literature: Space, Speed, Sex: Works from the early 1960s by Gerald Laing, 2006; Lindsey Ingram and Rupert Halliwell (eds.), Gerald Laing Prints and Multiples: A Catalogue Raisonné, 2006; Gerald Laing, Gerald Laing: An Autobiography, 2011; Gerald Laing: A Retrospective 1963–1993, 1993; Gerald Laing: From 1963 to the Present, 2004; Marco Livingstone and Amanda Lo Iacono, When Britain Went Pop. British Pop Art: The Early Years, 2013; Julia Bigham, Pop Art Book, 2007, pp. 29, 30,110–2, 174; Keith Bruce, All Fired Up Again, , Herald, 2004; David Eb, Gerald Laing at Spike, , Art in America, 2005; Mark Sheerin, Pop Art, politics and painting the Iraq war: Culture24 interviews artist Gerald Laing, , Culture24.org.uk, 2010; Marco Livingstone and Walter Guadagnini, Pop Art UK: British Pop Art 1956–1972, 2004; Marco Livingstone, British Pop, 2005, pp.220–30, 343-5; Walter Guadagnini, Pop Art 1956–1968, 2007; Gerald Laing, Notes on “Lincoln Convertible”, 1993; Gerald Laing 1936–2011: A Retrospective, 2016; Marco Livingstone, Pop 60s: Travessia Transatlântica/Transatlantic Crossing, 1997; Gerald Laing, Notes for Wolverhampton Art Gallery, 2006.

Panoply

Artists CR 032

1964

London/New York

Oil on cellulose paint on irregular, shaped canvas

44x66inches/112x168cm, irregular

The Ingram Collection of Modern British Art

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, 1964-1965;Private collection, -1973; (Sotheby’s, London) Private Collection, 5 July 1973;Private collection, 1973-2005; (Sotheby’s, London) Private Collection, 21 July 2005;.

Exhibitions: Gerald Laing, Keith Lingard, David Milne, Saint Martin’s School of Art, London, 1964; Gerald Laing: Paintings, Drawings, Constructions, Prints, Richard Feigen Gallery, Chicago, IL, 1965; Gerald Laing: A Retrospective 1963–1993, The Fruitmarket Gallery, Edinburgh, 1993; The Sixties Art Scene in London, Barbican Art Gallery, London, 1993; Gerald Laing: From 1963 to the Present, Bourne Fine Art, Edinburgh, 2004; Gerald Laing: Iraq War Paintings, Spike Gallery, New York, 2005; British Pop, Museo de Bellas Artes de Bilbao, Bilbao, 2005–6; Space, Speed, Sex: Works from the early 1960s by Gerald Laing, Hazlitt Holland-Hibbert, London, 2006

Literature: Space, Speed, Sex: Works from the early 1960s by Gerald Laing, 2006; Gerald Laing: A Retrospective 1963–1993, 1993; Gerald Laing: From 1963 to the Present, 2004; David Mellor, The Sixties Art Scene in London, 1993, p.34; Keith Bruce, All Fired Up Again, , Herald, 2004; David Eb, Gerald Laing at Spike, , Art in America, 2005; Marco Livingstone, British Pop, 2005, pp.220–30, 343-5; 20th Century British Art, 2005, p.115; Twentieth Century British Art, 2005; Gerald Laing, Notes on “Panoply”, 2005.

Panoply (second version)

Artists CR 032a

1992

Oil on canvas

44x66inches/112x168cm

Collection: Private collection

Provenance: .

Skydiver III

Artists CR 033

1964

London

Oil and cellulose paint on canvas

54x66inches/137x168cm

Collection: Private collection

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, 1964;.

Exhibitions: Gerald Laing, Keith Lingard, David Milne, Saint Martin’s School of Art, London, 1964; New Images, Richard Feigen Gallery, New York, NY, 1964

Astronaut V

Artists CR 034

1964

London

Oil and cellulose paint on irregular, shaped canvas

17x20inches/43x51cm, irregular

Collection: Private collection

Provenance: (Feigen-Palmer Gallery, Los Angeles).

Exhibitions: Gerald Laing, Keith Lingard, David Milne, Saint Martin’s School of Art, London, 1964; Feigen-Palmer Gallery, Los Angeles, 1964–5

Icon

Artists CR 035

1964

London

Oil on canvas

16x10inches/41x25cm

Collection: Private collection

Provenance: (Feigen-Palmer Gallery, Los Angeles) Private Collection, 1965;.

Exhibitions: Feigen-Palmer Gallery, Los Angeles, 1964–5

AA D

Artists CR 036

1964

London

Oil and cellulose paint on canvas

55x83inches/140x211cm

Collection: Private collection

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection;Collection of John and Kimiko Powers., 1964;Collection of Academy for Educational Development, Washington D.C..; (Shannon’s, Woodmount Road, Milford, Connecticut, Milford) Private Collection, 28 April 2011;Private collection, 2011-2012; (Christie’s King Street, London) Private Collection, 23 May 2012;.

Exhibitions: First Jump Course (One Man Show), Richard Feigen Gallery, New York, NY, 1964; New Images, Richard Feigen Gallery, New York, NY, 1964; Space, Speed, Sex: Works from the early 1960s by Gerald Laing, Hazlitt Holland-Hibbert, London, 2006

Literature: Space, Speed, Sex: Works from the early 1960s by Gerald Laing, 2006; Mario Amaya, Pop as Art: A Survey of the New Super Realism, 1965, pp.126–130; Gerald Laing, Aspen Notebook, 1966; 20th Century British & Irish Art Evening Sale, 2012.

Skydiver IV

Artists CR 037

1964

London

Oil on canvas

63.5x52inches/161x132cm

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection;Collection of John and Kimiko Powers., 1964;.

Exhibitions: First Jump Course (One Man Show), Richard Feigen Gallery, New York, NY, 1964; Far Out, Paintings and sculpture from the Collection of John G. Powers, New Jersey, State University College at Plattsburgh, Plattsburgh, 1965

Skydiver V

Artists CR 038

1964

London

Oil on canvas

62x75inches/157x191cm

Collection: Private collection

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, 1964;.

Exhibitions: First Jump Course (One Man Show), Richard Feigen Gallery, New York, NY, 1964; Gerald Laing: Paintings, Drawings, Constructions, Prints, Richard Feigen Gallery, Chicago, IL, 1965