The Major Periods

1962 – 1965: Early Pop Paintings

As one of the original wave of Pop artists Gerald Laing produced some of the most significant works of the British Pop movement. His paintings reproduced images of popular heroes such as starlets, film stars, drag racers, astronauts and skydivers. His 1962 portrait of Brigitte Bardot is an iconic work of the period and regularly features in major Pop retrospectives alongside Lincoln Convertible from 1964, a commemoration of the assassination of JFK.

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1965 – 1970: Utopian Abstract Sculpture

From 1965 Gerald Laing's painting evolved into abstract sculptures using the techniques and materials of car customisation - lacquering, spray-painting and chrome-plating on metal.

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1970 – 1973: Sculpture In The Landscape

A move from New York to the Highlands of Scotland in 1970 saw Gerald Laing's sculpture respond to the beauty, roughness and power of the surrounding landscape.

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1972 – 2010: Public Sculpture

Public sculptures include the the Bank Station Dragons; the Rugby Sculptures at Twickenham Stadium; the Cricketer at Lords; the Highland Clearances Memorial in Helmsdale, Sutherland and Axis Mundi in Edinburgh.

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1973 – 1980: Galina Series

Inspired by the figurative sculpture of the First World War Artillery Memorial at Hyde Park Corner, in 1973 Gerald Laing began to model in clay and cast in bronze. The Galina Series and associated sculptures were his first works from this period.

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1982 – 2007: Portrait Heads

Gerald Laing's portrait work includes heads and reliefs of Luciano Pavarotti, Andy Warhol, Paul Getty and Sam Wanamaker.

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2002 – 2005: War Paintings

The Iraq war and the publication of images of torture at Abu Ghraib prison drew Gerald Laing back to painting for the first time in over three decades. The War Paintings series sees the starlets and all-American heroes of his early paintings take on new, more sinister roles.

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2004 – 2011: New Paintings

Returning to the style and subject matter of his early pop art paintings, Gerald Laing's latest paintings feature media images of contemporary celebrities including Amy Winehouse and Kate Moss.

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Search the Catalogue



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Corner Cabinet

CR 113

1966 · New York City

Enamel on aluminium and chrome on brass, formica frame · 14.5 x 18.5 x 5.5

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Maquette for Black Pin

CR 114

1966 · New York City

Enamel on aluminium and chrome on brass, formica frame · 18.5 x 26.5

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Clip Two

CR 115

1966 · New York City

Enamel on aluminium and chrome on brass, formica frame · 13 x 15.5 x 3.75

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Maquette for Red Cranes

CR 116

1966 · New York City

Enamel on aluminium and chrome on brass, formica frame · 28.5 x 35.5

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Cullman Commission

CR 116b

1966

Lacquer on aluminium and chrome on brass

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Orange Pin

CR 117

1966 · New York City

Enamel on aluminium and chrome on brass · 9 x 96

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Black Pin

CR 118

1966 · New York City

Acrylic on aluminium and chrome on brass · 11.5 x 96

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Red Cranes

CR 119

1966 · New York City

Acrylic on aluminium and chrome on brass · 2 part piece, bases 18 inches apart. 48 x 113

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Tunnel

CR 120

1966 · New York City

Metalflake on aluminium and chrome on brass · 17 x 96 x 18

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One-Two-Three

CR 121

1966 · New York City

Acrylic on aluminium and chrome on brass · 108 x 34

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Maquette for Twin Tunnels

CR 122

1966 · New York City

Acrylic on aluminium and chrome on brass, formica box · 13.5 x 25.5 x 4 inches apart

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Twin Tunnels

CR 123

1966 · New York City

Acrylic on aluminium and chrome on brass · 36 x 8 x 29

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Freestanding Pin

CR 125

1966 · New York City

Acrylic on aluminium and chrome on brass, marble base · 12 x 72 x 8

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Beausant

CR 126

1966 · New York City (parts fabricated in London)

Acrylic on aluminium and chrome on brass · 2.5 x 12.25 x 1 (freestanding)

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Maquette for Newhouse Commission

CR 127

1966 · New York City

Acrylic on aluminium and chrome on brass, formica frame · 19.75 x 20.5

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Newhouse Commission

CR 128

1966 · New York City

Acrylic on aluminium and chrome on brass · unknown

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Freestanding Trace

CR 129

1966 · New York City

Acrylic on aluminium and chrome on brass, Plexiglas base · 30 x 96 x 15

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Freestanding Piece No. 3

CR 130

1966 · New York City

Acrylic on aluminium and chrome on brass, Plexiglas base · 20 x 96 x 15

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White Pin

CR 131

1966 · New York City

Lacquered aluminium · 14.5 x 90

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Glaive

CR 132

1966 · Aspen, Colorado

Acrylic on aluminium and chrome on brass, wood base · 19.5 x 48 x 7

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Maquette for Glaive

CR 133

1966 · Aspen, Colorado

Acrylic on aluminium and chrome on brass, slate base · 7.25 x 11.5 x 3.5

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Maquette for Pink

CR 133a

1966 · Aspen, Colorado

Acrylic on aluminium and chrome on brass, slate base · 6.5 x 11.5 x 3.5

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Indenty (edition)

CR 134

1966 · New York and Aspen (parts fabricated in London)

Acrylic on aluminium and chrome on brass, marble base · 20 x 8 x 4

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Green Hook

CR 134

1966 · Aspen, Colorado

Acrylic on aluminium and chrome on brass, marble base · 8 x 13 x 4.25

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