The Major Periods

1962 – 1965: Early Pop Paintings

As one of the original wave of Pop artists Gerald Laing produced some of the most significant works of the British Pop movement. His paintings reproduced images of popular heroes such as starlets, film stars, drag racers, astronauts and skydivers. His 1962 portrait of Brigitte Bardot is an iconic work of the period and regularly features in major Pop retrospectives alongside Lincoln Convertible from 1964, a commemoration of the assassination of JFK.

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1965 – 1970: Utopian Abstract Sculpture

From 1965 Gerald Laing's painting evolved into abstract sculptures using the techniques and materials of car customisation - lacquering, spray-painting and chrome-plating on metal.

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1970 – 1973: Sculpture In The Landscape

A move from New York to the Highlands of Scotland in 1970 saw Gerald Laing's sculpture respond to the beauty, roughness and power of the surrounding landscape.

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1972 – 2010: Public Sculpture

Public sculptures include the the Bank Station Dragons; the Rugby Sculptures at Twickenham Stadium; the Cricketer at Lords; the Highland Clearances Memorial in Helmsdale, Sutherland and Axis Mundi in Edinburgh.

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1973 – 1980: Galina Series

Inspired by the figurative sculpture of the First World War Artillery Memorial at Hyde Park Corner, in 1973 Gerald Laing began to model in clay and cast in bronze. The Galina Series and associated sculptures were his first works from this period.

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1982 – 2007: Portrait Heads

Gerald Laing's portrait work includes heads and reliefs of Luciano Pavarotti, Andy Warhol, Paul Getty and Sam Wanamaker.

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2002 – 2005: War Paintings

The Iraq war and the publication of images of torture at Abu Ghraib prison drew Gerald Laing back to painting for the first time in over three decades. The War Paintings series sees the starlets and all-American heroes of his early paintings take on new, more sinister roles.

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2004 – 2011: New Paintings

Returning to the style and subject matter of his early pop art paintings, Gerald Laing's latest paintings feature media images of contemporary celebrities including Amy Winehouse and Kate Moss.

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Search the Catalogue



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Green Trace

CR 135

1966 · Aspen, Colorado

Acrylic on aluminium and chrome on brass, slate base · 15 x 27.5 x 6

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Blue Loop

CR 136

1966 · Aspen, Colorado

Acrylic on aluminium, chrome on brass, slate base (white marble base and repaint November 1968) · 17 x 70 x 9

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Maquette for Blue Loop

CR 137

1966 · Aspen, Colorado

Acrylic on aluminium and chrome on brass, petrified wood base

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Bend

CR 138

1966 · Aspen, Colorado

Bent galvanised iron, acrylic on aluminium and chrome on brass, slate base

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Purple Pin

CR 139

1966 · Aspen, Colorado

Acrylic on aluminium and chrome on brass, slate base · 12 x 42 x 6

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Yellow Wedge

CR 140

1966 · Aspen, Colorado

Bent, galvanised iron, acrylic on aluminium and chrome on brass, slate base

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Small Cascade

CR 141

1966 · Aspen, Colorado

Acrylic on aluminium and chrome on brass, slate base · 8 x 32 x 5

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Fin

CR 142

1966 · Aspen, Colorado

Acrylic on bent, galvanised sheet and chrome on brass, slate base · 9 x 39.5 x 20

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Water Sculpture

CR 143

1966 · Aspen, Colorado

Acrylic on aluminium

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Aspen / Powers Mural

CR 143a

1966 · Aspen, Colorado

Acrylic lacquer on aluminium, chrome on brass · 96 x 36

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Screen #1

CR 144

1966 · Aspen, Colorado

Acrylic and collaged chrome paper on bent, galvanised iron · 19 x 14 (bent)

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Screen #2

CR 145

1966 · Aspen, Colorado

Acrylic on bent, galvanised iron · 28 x 21 (bent)

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Screen #3

CR 146

1966 · Aspen, Colorado

Acrylic on bent, galvanised iron · 18.5 x 15 (bent)

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Falchion

CR 147

1966 · New York City

Chrome on brass and acrylic on aluminium · 1 x 81 x 9

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Lambton Worm

CR 148

1966 · New York City

Chrome brass and acrylic on aluminium · 1 x 94 x 20

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Small Fold

CR 149

1966 · New York City

Chrome brass and acrylic on aluminium · 0.5 x 36 x 8

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Redfoot

CR 150

1966 · New York City

Acrylic on aluminium and chrome on brass, slate base · 42 x 86 x 12

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Pink

CR 151

1966 · Aspen and New York City

Acrylic on aluminium and chrome on brass, slate base · 44 x 95 x 22

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Yellow Needle

CR 152

1966 · New York City

Acrylic on aluminium and chrome on brass, slate base · 9 x 83 x 7

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Mallard

CR 153

1966 · New York City

Acrylic on aluminium and chrome on brass, slate base · 36 x 85 x 18

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White Circle Screen

CR 154

1966 · New York City

Acrylic and tooling on bent aluminium · 72 x 96 (bent)

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Plummet

CR 155

1966 · New York City

Chrome on brass and acrylic on aluminium · 36 x 107 x 20

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Blaze

CR 156

1966 · New York City

Acrylic lacquered aluminium and chrome on brass · 42 x 85 x 21

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Small Falchion

CR 157

1966 · New York City

Acrylic lacquered aluminium and chrome on brass · 6.25 x 37 x 7

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