Purple Pin
CR 139
Aspen, Colorado
1966
Acrylic on aluminium and chrome on brass, slate base
12 x 42 x 6 inches
The freestanding pieces, of which this is an example, were still as flat as possible, their greatest width being that of the upright chrome tube which supported them. The flat aluminium part was indeed swelled with fibreglass to meet the width of this tube, but only for practical reasons - to hide the joining device and to prevent the tube from casting a hard shadow on the painted portion. This piece is a good example of implied volume. Convention tells us it is twisted; in fact, it is flat.
, 1971: Gerald Laing, exhibition Catalogue, Scottish National Gallery of Modern Art, Edinburgh, 1971The Museum of Art does have a work by one additional British sculptor: Gerald Laing, Purple Pin, 1966, steel, painted and plated with acrylic and lacquer on aluminium with stone base. H. 102.9cm, W. 22.9cm. Signed with titel inscribed on base. Gift of Mr Arthur A. Goldberg, accession number 1974/2.43. As Gerald Laing reached artistic maturity in the 1960s, he must be considered one of the third generation of contemporary British sculptors and thus lies beyond the scope of this study…
, https://books.google.co.uk/books?id=k5HrAAAAMAAJ&pg=RA3-PA55&lpg=RA3-PA55&dq=purple+pin+michigan+art+museum&source=bl&ots=-XK36hsqjJ&sig=BhNEyTMKUorCoSEZRdEbzUsbwE8&hl=en&sa=X&ved=0ahUKEwiHvu7d-ZjOAhUGBsAKHe9CCoIQ6AEIKDAA#v=onepage&q=purple%20pin%20michiga">Bulletin - Museums of Art and Archaeology, University of Michigan, Volumes 1-4, 1978We are compiling a full record of all Gerald Laing's artworks for the publication of a full Catalogue Raisonné.
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