The Major Periods

1962 – 1965: Early Pop Paintings

As one of the original wave of Pop artists Gerald Laing produced some of the most significant works of the British Pop movement. His paintings reproduced images of popular heroes such as starlets, film stars, drag racers, astronauts and skydivers. His 1962 portrait of Brigitte Bardot is an iconic work of the period and regularly features in major Pop retrospectives alongside Lincoln Convertible from 1964, a commemoration of the assassination of JFK.

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1965 – 1970: Utopian Abstract Sculpture

From 1965 Gerald Laing's painting evolved into abstract sculptures using the techniques and materials of car customisation - lacquering, spray-painting and chrome-plating on metal.

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1970 – 1973: Sculpture In The Landscape

A move from New York to the Highlands of Scotland in 1970 saw Gerald Laing's sculpture respond to the beauty, roughness and power of the surrounding landscape.

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1972 – 2010: Public Sculpture

Public sculptures include the the Bank Station Dragons; the Rugby Sculptures at Twickenham Stadium; the Cricketer at Lords; the Highland Clearances Memorial in Helmsdale, Sutherland and Axis Mundi in Edinburgh.

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1973 – 1980: Galina Series

Inspired by the figurative sculpture of the First World War Artillery Memorial at Hyde Park Corner, in 1973 Gerald Laing began to model in clay and cast in bronze. The Galina Series and associated sculptures were his first works from this period.

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1982 – 2007: Portrait Heads

Gerald Laing's portrait work includes heads and reliefs of Luciano Pavarotti, Andy Warhol, Paul Getty and Sam Wanamaker.

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2002 – 2005: War Paintings

The Iraq war and the publication of images of torture at Abu Ghraib prison drew Gerald Laing back to painting for the first time in over three decades. The War Paintings series sees the starlets and all-American heroes of his early paintings take on new, more sinister roles.

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2004 – 2011: New Paintings

Returning to the style and subject matter of his early pop art paintings, Gerald Laing's latest paintings feature media images of contemporary celebrities including Amy Winehouse and Kate Moss.

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Cr512 axismundi glphotolib

Axis Mundi

CR 512

Kinkell, Scotland

1990

Bronze (five figures and three bowl sundials), granite-clad obelisk

Figures at lifesize and a quarter. Overall height 35 feet. inches

Edinburgh, UK

Citations and Comments

The work of art which probably exerted most influence on me at this time [1959] was one whose effect I did not recognise for many years. It is the First World War memorial in the Haymarket [Newcastle upon Tyne], a stone obelisk with the dark bronze figure of an angel reaching upwards toward its tip. In her hand she used to hold a palm frond, but this has now disappeared, no doubt broken off by vandals. Many years later I made a sculpture entitled Axis Mundi and it was only after I had completed it that I realised the debt for its inspiration which I owe to the work of Thomas Macklin.

Gerald Laing, 'Gerald Laing: An Autobiography', unpublished manuscript, 2011, ch7

Axis Mundi is sited in front of Tanfield House, Edinburgh. It consists of a 20’ high polished black granite obelisk, on top of which a group of five bronze winged figures, each 1.25 times lifesize, are positioned. The overall height of the sculpture is 30 feet. The figure group weighs 1750 lbs, but is composed and engineered to give the impression that each figure is flying and ascending. On the faces of the bronze pyramid which forms the cap of the obelisk are cast the letters of the palindrome. At a height of about 12’ above the ground the words Axis Mundi are carved into the sides of the obelisk. At eye level on the South, East and West sides are bronze bowl-shaped sundials which show the hours of the day, the equinoxes, and the twelve astrological signs.
Axis Mundi should be understood as a sequel to my Frieze of the Wise and Foolish Virgins which was installed on the facade of no.3 George Street in 1980. In the Frieze of the Wise and Foolish Virgins the Foolish Virgins are shown distracted and dissipated by their various imperfections, while the Wise Virgins are shown in a perfect unison of religious conviction as they proceed towards the Palindrome, which is a metaphor for God. In Axis Mundi the Foolish Virgins have disappeared, and the Wise Virgins are shown actually ascending. Axis Mundi is a religious and philosophical concept, related to the Tree of Life which signifies ‘the unfolding of form in a physical sense, development, growth from below upwards…death and rebirth.’ (Jung), or ‘the World Tree, the philosophical tree, the tree of Christ’s Cross, the Bo-tree of Buddhahood - and the wounded Fisher King, whose fishline from the Great Above to the Great Below is equally the Axis Mundi; awaiting everywhere, with its baited hook in the water of this world, to haul us up to the lotus boat of the radiant Fisher of Men…’ (Joseph Campbell).

Gerald Laing, 'Axis Mundi of The Apotheosis of The Wise Virgins', unpublished manuscript, 1991

Catalogue Raisonné Information

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