Catalogue Raisonné. Hijacker
The Major Periods
1962 – 1965: Early Pop Paintings
As one of the original wave of Pop artists Gerald Laing produced some of the most significant works of the British Pop movement. His paintings reproduced images of popular heroes such as starlets, film stars, drag racers, astronauts and skydivers. His 1962 portrait of Brigitte Bardot is an iconic work of the period and regularly features in major Pop retrospectives alongside Lincoln Convertible from 1964, a commemoration of the assassination of JFK.
1965 – 1970: Utopian Abstract Sculpture
From 1965 Gerald Laing's painting evolved into abstract sculptures using the techniques and materials of car customisation - lacquering, spray-painting and chrome-plating on metal.
View all Utopian Abstract Sculpture
1970 – 1973: Sculpture In The Landscape
A move from New York to the Highlands of Scotland in 1970 saw Gerald Laing's sculpture respond to the beauty, roughness and power of the surrounding landscape.
View all Sculpture In The Landscape
1972 – 2010: Public Sculpture
Public sculptures include the the Bank Station Dragons; the Rugby Sculptures at Twickenham Stadium; the Cricketer at Lords; the Highland Clearances Memorial in Helmsdale, Sutherland and Axis Mundi in Edinburgh.
1973 – 1980: Galina Series
Inspired by the figurative sculpture of the First World War Artillery Memorial at Hyde Park Corner, in 1973 Gerald Laing began to model in clay and cast in bronze. The Galina Series and associated sculptures were his first works from this period.
1982 – 2007: Portrait Heads
Gerald Laing's portrait work includes heads and reliefs of Luciano Pavarotti, Andy Warhol, Paul Getty and Sam Wanamaker.
2002 – 2005: War Paintings
The Iraq war and the publication of images of torture at Abu Ghraib prison drew Gerald Laing back to painting for the first time in over three decades. The War Paintings series sees the starlets and all-American heroes of his early paintings take on new, more sinister roles.
2004 – 2011: New Paintings
Returning to the style and subject matter of his early pop art paintings, Gerald Laing's latest paintings feature media images of contemporary celebrities including Amy Winehouse and Kate Moss.
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Hijacker
Catalogue No. 401
Artist's CR 377
Early Summer, 1978
Kinkell
Bronze
Edition of 10
13 x 6.5 x9 inches / 33 x 17 x23 cm
- An Exhibition of Sculpture by Gerald Laing at the Edinburgh Festival 1978, Gladstone Court, Edinburgh, 1978
- Gerald Laing: Bronze Sculpture, Max Hutchinson Gallery, New York, 1979
- Gerald Laing: Sculpture, Bacardi Art Gallery, Miami, 1982
- Gerald Laing: A Retrospective 1963–1993, The Fruitmarket Gallery, Edinburgh, 1993
- Gerald Laing: Sculpture 1968–1999, The Fine Art Society, London, 1999
- Gerald Laing: From 1963 to the Present, Bourne Fine Art, Edinburgh, 2004
- An Exhibition of Sculpture by Gerald Laing at the Edinburgh Festival 1978, exhibition catalogue, Gladstone Court, 1978
- Gerald Laing: A Retrospective 1963–1993, exhibition catalogue, The Fruitmarket Gallery, 1993
- Gerald Laing: Sculpture 1968–1999, exhibition catalogue, The Fine Art Society, 1999
In the Head of a Hijacker [sic] Laing takes a subject that would have interested Medardo Rosso or the early [Constantin] Brancusi, a female head tied in a nylon stocking which veils and blunts her features. Knotted on top, its foot hangs down in an elegant curve at one side of the face. In producing a classic sculpture by this means, Laing also shows his preferred sources in topical life, as the demure girl hijacker is well-known on the world stage. Unlike Galina 10 [sic], this work has no architectural or iconic quality, but is ‘private’ and must exist only as life-size and in an enclosed space.
An Exhibition of Sculpture by Gerald Laing at the Edinburgh Festival 1978, Douglas Hall, exhibition catalogue, Gladstone Court, Edinburgh, 1978