Catalogue Raisonné. Deceleration VI
The Major Periods
1962 – 1965: Early Pop Paintings
As one of the original wave of Pop artists Gerald Laing produced some of the most significant works of the British Pop movement. His paintings reproduced images of popular heroes such as starlets, film stars, drag racers, astronauts and skydivers. His 1962 portrait of Brigitte Bardot is an iconic work of the period and regularly features in major Pop retrospectives alongside Lincoln Convertible from 1964, a commemoration of the assassination of JFK.
1965 – 1970: Utopian Abstract Sculpture
From 1965 Gerald Laing's painting evolved into abstract sculptures using the techniques and materials of car customisation - lacquering, spray-painting and chrome-plating on metal.
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1970 – 1973: Sculpture In The Landscape
A move from New York to the Highlands of Scotland in 1970 saw Gerald Laing's sculpture respond to the beauty, roughness and power of the surrounding landscape.
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1972 – 2010: Public Sculpture
Public sculptures include the the Bank Station Dragons; the Rugby Sculptures at Twickenham Stadium; the Cricketer at Lords; the Highland Clearances Memorial in Helmsdale, Sutherland and Axis Mundi in Edinburgh.
1973 – 1980: Galina Series
Inspired by the figurative sculpture of the First World War Artillery Memorial at Hyde Park Corner, in 1973 Gerald Laing began to model in clay and cast in bronze. The Galina Series and associated sculptures were his first works from this period.
1982 – 2007: Portrait Heads
Gerald Laing's portrait work includes heads and reliefs of Luciano Pavarotti, Andy Warhol, Paul Getty and Sam Wanamaker.
2002 – 2005: War Paintings
The Iraq war and the publication of images of torture at Abu Ghraib prison drew Gerald Laing back to painting for the first time in over three decades. The War Paintings series sees the starlets and all-American heroes of his early paintings take on new, more sinister roles.
2004 – 2011: New Paintings
Returning to the style and subject matter of his early pop art paintings, Gerald Laing's latest paintings feature media images of contemporary celebrities including Amy Winehouse and Kate Moss.
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Deceleration VI
Catalogue No. 277
Artist's CR 268
1970
Kinkell
Oil on canvas
66 x 50 inches / 168 x 127 cm
Collection: Private collection
- Private collection
- Sold at auction by Sotheby’s, 14 March 2006, Lot 108
- Private collection
- Gerald Laing and Alasdair Hamilton, 1971: Gerald Laing, exhibition catalogue, Scottish National Gallery of Modern Art, 1971
- William Peterson, 'Gerald Laing', Artspace, Winter 1976–7
- Lindsey Ingram and Rupert Halliwell (eds.), Gerald Laing Prints and Multiples: A Catalogue Raisonné, Sims Reed Ltd, London, 2006
- Sotheby's in 20th Century British Art, 14 March 2006, sale catalogue, Sotheby's, London, 2006
The canvases of this period are characterised by the contrast between the flat colours of the background and the Benday dot-derived system of rendering images from popular newspaper and magazine imagery. In the present work, the image of the drag racer, seen head on and literally burning towards the viewer with all the intimation of full speed, is simultaneously an image of bravado, style and recklessness. The mirrored goggles of the driver are echoed by the gaping ports of the triple racing carburettor, bringing the concept of man and machine in unity flying right into the face of the viewer.
20th Century British Art, Sotheby's Catalogue, 14 March 2006, Sotheby's, New Bond Street, 2006