Catalogue Raisonné. Capriccio
The Major Periods
1962 – 1965: Early Pop Paintings
As one of the original wave of Pop artists Gerald Laing produced some of the most significant works of the British Pop movement. His paintings reproduced images of popular heroes such as starlets, film stars, drag racers, astronauts and skydivers. His 1962 portrait of Brigitte Bardot is an iconic work of the period and regularly features in major Pop retrospectives alongside Lincoln Convertible from 1964, a commemoration of the assassination of JFK.
1965 – 1970: Utopian Abstract Sculpture
From 1965 Gerald Laing's painting evolved into abstract sculptures using the techniques and materials of car customisation - lacquering, spray-painting and chrome-plating on metal.
View all Utopian Abstract Sculpture
1970 – 1973: Sculpture In The Landscape
A move from New York to the Highlands of Scotland in 1970 saw Gerald Laing's sculpture respond to the beauty, roughness and power of the surrounding landscape.
View all Sculpture In The Landscape
1972 – 2010: Public Sculpture
Public sculptures include the the Bank Station Dragons; the Rugby Sculptures at Twickenham Stadium; the Cricketer at Lords; the Highland Clearances Memorial in Helmsdale, Sutherland and Axis Mundi in Edinburgh.
1973 – 1980: Galina Series
Inspired by the figurative sculpture of the First World War Artillery Memorial at Hyde Park Corner, in 1973 Gerald Laing began to model in clay and cast in bronze. The Galina Series and associated sculptures were his first works from this period.
1982 – 2007: Portrait Heads
Gerald Laing's portrait work includes heads and reliefs of Luciano Pavarotti, Andy Warhol, Paul Getty and Sam Wanamaker.
2002 – 2005: War Paintings
The Iraq war and the publication of images of torture at Abu Ghraib prison drew Gerald Laing back to painting for the first time in over three decades. The War Paintings series sees the starlets and all-American heroes of his early paintings take on new, more sinister roles.
2004 – 2011: New Paintings
Returning to the style and subject matter of his early pop art paintings, Gerald Laing's latest paintings feature media images of contemporary celebrities including Amy Winehouse and Kate Moss.
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Capriccio
Catalogue No. 676
Artist's CR 616
2005
Kinkell
Oil on canvas
72 x 64 inches / 183 x 163 cm
Collection: Private collection
- Gerald Laing: Iraq War Paintings, Spike Gallery, New York, 2005
- Gerald Laing: Iraq War Paintings, Globe Gallery, Newcastle upon Tyne, 2007
- Gerald Laing, 'Artist’s Notes on War Paintings', unpublished manuscript, 2004
- Diana Newall/Grant Pooke, Art History: The Basics, Routledge, 2008
A capriccio is a sudden start, motion or freak. A free, fantastic style, a prank, trick or caper. A thing or work of fancy. 1696: Phillips. ‘Capriccios are pieces of music, poetry and painting wherein the force of the Imagination has better success than the Rules of Art’. This painting is full of paradox and ambiguity. These qualities encourage abstract thought, and allow the eye and the mind to wander and speculate. Thus it becomes possible to avoid thinking about the surreal arrangement of the human figure, and the internal life of prisoner. Formal concerns become a sort of anaesthetic, or at least a way of re-composing the reality of Abu Ghraib.
'Artist's Notes on War Paintings', Gerald Laing, unpublished manuscript, 2004
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Study for Capriccio
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