GERALD LAING

Swift Passages and the Monumental Imagination

David Alan Mellor looks at Gerald Laing's work from 1963 to 1993.

Systematic, monumental, disciplined: but also caught up with the instability of the world, the flickering of time and sight and presence. These opposing positions, these two separate metaphysics, have occupied Gerald Laing throughout his career as an artist ...

Catalogue Raisonné

On Drawing

Gerald Laing writes about his first drawing lessons.